Remembering seventeen years ago, the legacy of Kurt Cobain lives on.

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Last night (April 15th) at the Fox Theatre in Oakland, CA, Thom Yorke and his super-group Atoms For Peace including Red Hot Chili Peppers’ bassist Flea, producer Nigel Godrich, Joey Waronker and Mauro Refosco, surprised their audience with a cover of Joy Division’s Love Will Tear Us Apart. Enjoy!

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this has been a difficult week after the earthquake in haiti.

when something real happens it makes the whole world stop.

usually people can relate to one another but at this time, it is different.

the united states seem to be doing all in their power to keep it strong.

and you wonder what can you really do? but hope and pray

that things will get better and let those that don’t know

everything will be okay.

♥♥♥

listen: stranded (Haiti Mon Amour)
by jay-Z,  bono, the edge & rihanna

donate: www.hopeforhaitinow.org

images: boston.com

video: coldplay :: a message :: hopeforhaitinow

and if you don’t love me
let me go

The Decemberists – The Engine Driver

Aimee Man – The Engine Driver (Cover)

(From the 2005 album “Picaresque”, The Decemberists created their song The Engine Driver as catchy and meaningful as can be. Escaping throughout the chorus is a longing shared within a heartbreak and like all great lessons learned, sometimes it is truly better to love than to never have loved at all.)

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One of the saddest and greatest Bjork songs ever.

i’m so… completely unhealable, baby

“I recorded ‘So Broken’ that infamous week for me, the week of the bomb. The only way for me to write a song about it was just to take the piss. I wrote it in my house hitting the table singing, ‘I’m so broken (in corny, overwrought voice), olé!’ I was going to have the sound of washing dishes and three kids screaming; it would be a soap opera. Then I went to the studio in Spain and met the flamenco guitarist who plays on the track and stayed there for six months recording.”

MP3 :: Bjork & Raimundo Amador – So Broken
(Live on Jools Holland, 1998)

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Being able to see Beyoncé two weeks ago at the Mohegan Sun Casino in Uncasville, Connecticut was surreal.  Ever since the show it’s been impossible to go through a day and not listen to her music.  This time though it’s not because Beyoncé is heard always on the radio, it’s because when reflecting on her concert, her vocals, choreography, charisma, dancing, presence was absolutely illuminating. A good sign of seeing a good concert is when you just can’t stop listening to the music, because you want to.

Watching Beyoncé on stage, and understanding how much she puts into her own tour is overwhelming.  Between five different types of dress changes and the way each scene’s background blends in with the lights as the film-like video cameras circle around the stage and capture Beyoncé’s every moment.  She cascades from side to side, down and up stairs dressed so beautifully in a bright white gown that flows against an ocean-like background, and then soars throughout the air back-flipping into the sky while glittering inside yards of a gold dress and flying within seconds to a second stage in the middle of the stadium’s floor.

Still days even after seeing her show, it’s still almost unbelievable to have witnessed Beyoncé live.  The crowd is so diversified, and every person that attends knows all the words, even the scattered men throughout the crowd love it too.  It’s entertainment with elegance and times of pure naughtiness that make you finally see what Beyonce’s side persona Sasha Fierce resembles. Recommended for all fans of new and old, as she honestly showcases truly all the hard work of creating a world tour, and what it takes to be a true performer.

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Only love is all maroon
Gluey feathers on a flume
Sky is womb and she’s the moon

Bon Iver and My Brightest Diamond performed a duet live last Sunday at a benefit for the Red Hot Organization, and shared together a reprise version of Bon Iver’s single Flume. Inside New York’s Radio City Music Hall, the acoustic instrumentation along with combination of beautiful vocals provided a chilling rendition.

On April 9, Bat for Lashes performed inside the BBC Radio One Live Lounge and showcased a cover of Kings of Leon‘s “Use Somebody”.  Delicate in all its detail, the sheer simplicity of an organ and tambourine so effortlessly challenge the meaning behind masculine lyrics, that blend into a feminine masquerade of pure dark yearning.

L I S T E N Use Somebody

i’ve been roaming around, always looking down at all i see. painted faces fill the places i can’t reach. you know that i could use somebody, you know that i could use somebody, someone like you…