After the Jump After Hours

This evening Music Is Art will be djing with Jen from The Music Slut at NYC’s Cake Shop, 1am to 4am. Come visit ATJ’s CMJ After Hours! This week we’ll be featuring bands such as Helado Negro, Sure Juror, You, You’re Awesome and many more to come! ♥

L I S T E N

Radiohead – Reckoner (Holden Remix)

No related posts.

Related posts brought to you by Yet Another Related Posts Plugin.

No related posts.

Related posts brought to you by Yet Another Related Posts Plugin.

ATJ presents SUCKERS, Sunday, August 30, 2009, at After the Jump Fest ‘09. This year’s 3rd annual festival is a three day extravaganza of independent music, and will take place at Brooklyn NY’s Littlefield Performance & Art Space.  Individual and weekend passes are available to purchase online here.

Listen :: Suckers – It Gets Your Body Movin’

In preparation for After the Jump Fest 2009, Music Is Art asked bassist Pan of Suckers to answer our ATJF Interview questions, and below are his special replies.

Please share your earliest memory involving or creating music.

Pan: As a kid, my brother and I would create our own “mash-ups” on tapes… we would takeout of bits and pieces of some of our favorite songs and link them all together.. I distinctly remember using Motley Crue’s “Home Sweet Home” with the end of Metallica’s “One”

May you share about your academic background concerning music? Did you study formally? Any special mentors?

Pan: I took bass lessons for a minute, but the dude just taught me how to play “Under The Bridge” and “Sweet Child O’ Mine”.  Other than that, I basically taught myself.  Quinn and Austin (who are cousins) learned a lot of guitar from another older cousin and Brian is pretty well trained in drum theory.

If you had to explain your music to a stranger, how would you do so?

Pan: I do it all the time.  “Experimental Pop Music” seems to be the easiest thing to say.

What are your favorite instruments to work with and what aspects do you like most about using them?

Pan: Well, this is always changing, but lately working with samplers has been my favorite. You can make really interesting and original sounds with electronics.

What are your inspirations?

Pan: Honestly for me it’s everything, where I live, my friends, current music, old music, art, film. I try to apply all of that to creating sounds and making music.

On average, how long does it take for you to create a song?

Pan: It seems that our best songs usually resolve themselves in 1 or 2 practices.  The longer we work on a song, the less natural they tend to sound.

On the website Music Is Art, our mission is to show how music and art are simply connected. Which albums do you credit as having the biggest influences as far as your life and creativity are concerned?

Pan: This list goes on for miles.  David Bowie’s Low, The Beatles’ Rubber Soul, Beach Boys’ Pet Sounds, Aphex Twin’s The Richard D. James Album, Talking Heads’ Speaking In Tongues, Tom Waits’ Bone Machine, R. Kelly’s Double Up, and Hall & Oates’ Essential Collection.

If you could have a drink with one musician, living or dead, who would it be and what would you like to ask them?

Pan: Tom Waits.  I would ask him to produce our next album.

What do you hope people take from seeing you perform live?

Pan: Last time we played in Chicago, there was this kid who said we completely blew his mind.  He wouldn’t stop talking about what an amazing experience he had and how we melted his brain.  He later told us he was on mushrooms, but that’s basically the reaction I would like to get from everyone.

What has been your favorite experience thus far in your career?

Pan: I don’t know, this past SXSW was pretty awesome.

What would your number one suggestion be for someone who wants to do what you do?

Pan: Just Do It!

What exciting projects do you have coming up?

Pan: Writing/recording our first full length is probably the most exciting. Also, we’re having someone do a special remix for us.

May you have a particular inspired quote, statement or favorite words to live by?

Pan: “Sometimes, playas get lonely too.” – R. Kelly

Please share a mix tape within a theme of your choice.

Pan: The theme is just my favorite songs that I’ve been listening to constantly for the past month.

No related posts.

Related posts brought to you by Yet Another Related Posts Plugin.

ATJ presents FREE ENERGY, Saturday, August 29, 2009, at After the Jump Fest ‘09. This year’s 3rd annual festival is a three day extravaganza of independent music, and will take place at Brooklyn NY’s Littlefield Performance & Art Space.  Individual and weekend passes are available to purchase online here.

Listen :: Free Energy – Dream City

In preparation for After the Jump Fest 2009, Music Is Art asked frontman Paul Sprangers of Free Energy to answer our ATJF Interview questions, and below are his special replies.

Please share your earliest memory involving or creating music.

Paul: Hearing melodies in my head then playing them on the family piano.  They were probably inspired by cartoon theme songs and Bon Jovi.

Paul: Scott showed me how to play in drop d and I never looked back.  I did a lot of 4 track experimenting on my own and learned through trial and error.  I think I’m pretty against any kind of rigid academic schooling of any kind, but particularly in matters of intuition and inspiration, which seem to be hampered by strict training. I personally learn best through experience, not being taught.

Paul: Imagine Bob Seger making love to Christine Mcvie while Mick and Keith (tattoo you-era) watch. Then imagine this all taking place within a crystal amulet hanging from Phil Lynott’s neck as he drifts through the galaxy searching for Marc Bolan so they can play pinball.

Paul: I enjoy the look and feel of a solid Steinberger bass. They’re perfect for “slapping it out,” and headstocks are overrated.

Paul: I’m inspired by this crazy, spinning globe and all the jokers living on it!  I’m inspired by my bedroom, the girlfriend I share my life with,  collaborating with Scott, the amazingly talented dudes that play in our band, my sweet cat, lucid dreams, Philly, trying to understand myself, the prospect of becoming a mature human being and a positive force in this world.

Paul: I err on seeing and hearing what does not already exist.  I think the key to success is being present and fully involved in whatever you’re making or doing, always.  I’m bad at that but I’m good at acting on ideas and inspiration when they strike.

Paul: Sometimes an instant, sometimes many years.  We seem to have a mix of some very old and thoroughly fermented songs, while others are written and recorded quickly so they retain that energy of being “new.”

Paul: I credit Alien Lanes, Last Splash, Telephono, Helioself, Crooked Rain, Nevermind, INXS Kick, Slippery When Wet, Appetite For Destruction, He’s the DJ I’m the Rapper, Hanging Tough, I Can Hear the Heart Beating As One, Raw Hamburger, Spiderland, Surfer Rosa, Daft Punk Discovery, Midnight Vultures, Tusk, This Beat is Technotronic, 3 Feet High and Rising, Apocalypse 91 the Enemy Strikes Black, and on and on and on.

Paul: Maybe Springsteen?  I would want to ask him how he was able to “get it,” at such an early age. I’d also ask Bruce “what did you go through that gave you such incredible strength to believe in yourself and your words? how do you not get discouraged by the world and all the sleepwalking people who create so much pain?”

Paul: Is this a set up?  Obviously as much merch as they can stuff in a fucking bag. But I also hope they leave as psyched as I am.  Ultimately, we create music to heal and inspire ourselves, but we believe it attracts and inspires other people that are on the same wavelength as us.  Especially people who are trying to learn and grow and understand themselves.

Paul: Every experience good and bad is so enjoyable and enlightening, it’s hard to pick one.  Recording with James was like being at a ridiculously fun studio summer camp. Moving to Philly and meeting tons of people has been incredible. Practicing with the band has been really tough and really rewarding.  Having really talented and experienced people work with us and guide the band.  People at every level who get our music and feel as strongly about it as we do — that blows my mind.

Paul: Look at yourself as honestly as you know how.  Spoiler alert: miracles will happen.

Paul: More web shows featuring our drummer Nick Shuminsky. A Bass Instructional Video with Evan. Making healthy meals. Getting album art done. We’re working on a hush hush comedy/reality series with James Murphy and Whoopi Goldberg.  It’s kind of like Mad TV meets Emeril.  There’s a lot in the works right now stay tuned — we”ll be tweeting all about it.

Paul: A wise man once told me this:  “No rules.”

Paul: Full disclosure, these songs were on a mind-blowing mixtape made by our friend Neil.

We provide fast success in 642-617 exam by using our high quality testking 646-578 prep resources. We offer up-to-dated 1Y1-A19 & 650-292 dumps with definite guarantee of 650-393 dumps success.

No related posts.

Related posts brought to you by Yet Another Related Posts Plugin.

ATJ presents DRINK UP BUTTERCUP, Saturday, August 29, 2009, at After the Jump Fest ‘09. This year’s 3rd annual festival is a three day extravaganza of independent music, and will take place at Brooklyn NY’s Littlefield Performance & Art Space.  Individual and weekend passes are available to purchase online here.

Listen :: Drink Up Buttercup – Young Ladies

In preparation for After the Jump Fest 2009, Music Is Art asked vocalist/guitarist Jim Harvey of Drink Up Buttercup to answer our ATJF Interview questions, and below are his special replies.

Please share your earliest memory involving or creating music.

Jim: I’d probably say my first memory involving music is dancing and singing Michael Jackson songs on the highest surface I could get up onto as a 5 year old at the mall. I’m not even just saying that cause it’s so cool to like Michael Jackson again now that he’s passed away.

May you share about your academic background concerning music? Did you study formally? Any special mentors?

Jim: I studied voice formally, but like everyone else in the band learned my instrument (guitar) on my own. I went to school for classical singing but ended up playing my guitar and writing more than focusing on interpreting arias and studying theory. I kind of taught myself some kinda backwards theory after school though.

If you had to explain your music to a stranger, how would you do so?

Jim: I’d probably keep it simple and say aggressively played poppy songs with lots of harmonies and deceptively perverted lyrics.

What are your favorite instruments to work with and what aspects do you like most about using them?

Jim: For me personally I like messing around with vocals. The human voice is for sure the craziest instrument. I love layering and adding effects too. The possibilities are endless.

What are your inspirations?

Jim: Harshness. Dark perspectives disguised by bright colors. Deals on people’s used stuff. Old school video games.

When you’re working are you fully involved in what you’re doing or is your mind already planning ahead?

Jim: I’d say the idea of how somethings should sound as a whole is usually  what comes first. In your head. Then you try to figure out how to play it on an instrument and fine tune it till it sounds like your originally internal concept.

On average, how long does it take for you to create a song?

Jim: Just a few minutes for the original idea of it sounds, then endless tinkering to perfect it. It’s always fun to change things up live to. You gotta mix it up on the fly to keep things interesting if you are showcasing a certain group of songs to keep it interesting for yourself. Maybe even just a new way of presenting that doesn’t change the sound tends to keep things interesting. If that makes sense.

On the website Music Is Art, our mission is to show how music and art are simply connected. Which albums do you credit as having the biggest influences as far as your life and creativity are concerned?

Jim: I’d say that classical music and whatever people really seem to be digging currently are what affects me as a musician. The classical music shows how it was done first and best, in my opinion. The current stuff, take a band like Dirty Projectors, who I’ve actually been digging for years before they really started to get hyped up, still shows you that there are new and exciting places to go. Also, just good pop songs. Even if a band has a similar sound to other bands out there or other bands from the past, if a song is a good song it’s a good song. Everyone loves a good song.

If you could have a drink with one musician, living or dead, who would it be and what would you like to ask them?

Jim: I’d probably want to have a drink with Bob Dylan. He has so many freaking words! I have a pretty easy time coming up with music, but words tend to give me a little more trouble. I’d just love to ask him some pointers on how, besides being the most naturally gifted lyricist ever, he comes up with all those words.

What do you hope people take from seeing you perform live?

Jim: We’ve always had the goal as a band to put on a live SHOW. We really want to entertain people and give them their money’s worth. We take pride in it. So I’d say, I guess all we really want is for people to have an experience and not feel ripped off.

What has been your favorite experience thus far in your career?

Jim: Probably the whole process of getting our full length album done. So many ups and downs. So many decisions. So much love and hate. So much arguing. Fun! But as things are finally getting all tied up, it was all totally worth it.

What would your number one suggestion be for someone who wants to do what you do?

Jim: Record your first album before you start really getting out there and playing shows. It makes everything easier. I don’t know from personal experience, but watching other bands who took this route it just seems mind-blowingly easier.

What exciting projects do you have coming up?

Jim: We have a new single and video coming out in October that we are really excited about. Also, now that the full length is basically finished we are gonna really start hitting the road and playing outside of the North East.

May you have a particular inspired quote, statement or favorite words to live by?

Jim: “You drink that drink! Alcohol has been a social lubricant for thousands of years. What do you think, you’re going to sit here tonight and reinvent the wheel?” – Scott Campbell, as Roger Dodger in the movie Roger Dodger.

Please share a mix tape within a theme of your choice.

Jim: Gonna break the rules a little here. This is a two song mix I put on at parties to annoy people. I just put the mix on repeat, so I mean, you literally might hear these two songs at least a dozen times each. As much as music snobs might make fun of me for this mix. Whatever, I love it.

1.  R. Kelly – Remix to Ignition
2.  Shwayze – Buzzin’

By using our 640-721 and testking 70-685 e-book facility, you can carry your F50-531 prep solutions anywhere along with you. The LX0-102 and itil v3 dumps tutorial are also accessible with free downloadable feature.

No related posts.

Related posts brought to you by Yet Another Related Posts Plugin.